And, on another note, I would hate for you all to miss out on Lauren's great poetic find, which calls us to reflect on an ancient Russian painting of the Virgin Mary and her divine son.
Before you get to the poetry, I would recommend taking a moment to examine the painting itself. Look at Mary's eyes. Look at her hands. Wonder at the mix of joy and sadness in both faces. Take a moment to be aware of your response to this strange and beautiful painting. Then move on to the equally emotive poem below.
After The Virgin of Vladimir, 12th C., anon.
II. Our Lady of Tenderness
By Susanna Childress
Christ Child with your arms around your mother
what have you done for us
to take in our hands bona fide conception with flesh?
Saint Catherine of Siena said
You drew us out of your holy mind
like a flower
and she was illiterate most of her life, her prayers written down
for her, and it is in prayer we have
two hands up, like your mother’s, every finger the final petal,
not touching you but meaning to touch,
either buttressing or balancing stacks of tokens, glasses dark with wine,
our limitations and that hot need
to love. Did you think I wouldn’t see it is you holding her,
not her holding you? For
she has already the unfortunate-that-which-is-to-come in her eyes,
drooped with sorrow, our careful human sap.
You, as though you will breathe into her—if only to adumbrate
a Russian artist’s rendering of hope--
you, a child who couldn’t have been only a child, your thick neck
twists to kiss her, and she looks
vigilantly at us. Ocher walls, chipped and ancient,
they are not your home. She knows
this, she tells me, obstinate as I am, slowly broken down
in the bones with a weight
known only by leaping belief, she asks with eyes like grapes
not what has he done
but what hasn’t he? O Little Panacea, suffering up under
your mother’s brow, keep your hand
cupped close, bless her name when years later the crowd
will beg for your breath, hallowed and terrible.